Throw a MIDI keyboard into the mix and now you’re cooking with fossil fuels! This also means that if you are privileged enough to own a mouse, then you just received a mighty speed buff in terms of workflow. Where writing MIDI information in other DAW’s would involve multiple tools like the pencil, eraser and marquee, Ableton does it all with a combination of clicks and double clicks. The software was designed with laptop producers in mind so things like zooming in and out on the various windows is easier than Dark Souls with a mouse pad. I haven’t seen Fruity Loops in about eight years so I don’t really know what it can do now, but it did help churn out Crank That by Soulja Boy and for that, we are forever grateful.įor me, Ableton is the DAW that has the quickest workflow.
Ableton live trial extend Patch#
Reason has the best… um… that thing where you can pretend to patch in cables between bits of analogue gear. Logic has the best selection of software instruments and audio loops.
I find that Pro Tools is by far the best DAW for recording multiple things at the same time. The only difference between them is how you perform these functions.
Now that I’ve cooled down a bit I can see that perhaps I should extend an olive branch, which, as far as I’m aware, means to make peace, or at least to have a look at both sides of the coin.Īt this point in time, all DAWs do the same stuff. However, just like a Kinder Surprise, or Neil deGrasse Tyson’s head, there’s so much more to discover within. Ableton is usually perceived solely as an electronic music production tool, which it certainly does excel at being. I use it for audio mixing and post-production.
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